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AUTHENTIC COLOURS crafted by masters
of 18th and 19th Century color fidelity - fifth
generation paintmakers. The Old Village paint
craftsmen create the authentic colors that
simply cannot be matched by a mass production
process or by guessing and mixing. Old Village
Paints are of superb quality, using natural
earth pigments from around the world, as well as
the heartland of America.
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OLD VILLAGE PAINTS capture the charm
and character of Colonial, Federal and Victorian
periods. Perfect for furniture, walls,
decorative accents, interior and exterior
woodwork. Easy to use. Soft-sheen velvety
finish. Old Village Paints are available in your
choice of latex, oil-base, buttermilk
formulations or paste stains. The Old Village
Colour Craftsmen are honored with the
opportunity to make paint for many of America's
most distinguished institutions. Old Village
Paints offer to the architect, decorator, and
home owner a series of authentic colors
representative of those used in colonial
America. They are formulated for use either
inside or outside, over a great variety of
substrates. Hiding level, durability, and
application properties of Old Village Paints are
of the highest order.
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A sampling of prestigious facilities using
Old Village Paint Colours:
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- The Hermitage - Nashville,
Tennessee
- Hammond-Harwood House - Annapolis,
Maryland
- Peter Wentz Farmstead - Worster,
Pennsylvania
- The Oliver Ellsworth Homestead - Windsor,
Connecticut
- Historic Deerfield - Deerfield,
Massachusetts
- The Colonial Williamsburg Foundation
- Williamsburg, Virginia
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- Hope Lodge - Fort Washington,
Pennsylvania
- Pottsgrove Manor - Pottstown,
Pennsylvania
- The AVOCA Museum - Alta Vista,
Virginia
- Department of Congress Law Library
- Washington, D.C
- The Charles Carroll House - Annapolis,
Maryland
- Historic Rittenhouse Town - Philadelphia,
Pennsylvania
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Old Village® (#1200 & #1100)
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- 25 ready-mixed historic colours in oil
base
- Easy to use, goes on like butter
- Low luster, satin sheen reproduces
historic finishes
- Suitable for both interior and exterior
surfaces
- Excellent wash-ability, adhesion,
durability and colour retention
- High pigment content provides excellent
one-coat coverage
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Uses:
Wood, plaster, properly prepared drywall,
metals, decorative painting; brush, roller or
spray application. May be thinned with mineral
spirits.
*Colour
Card & More Info - click here*
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Old Village® Acrylic Latex (#1700)
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- 25 ready-mixed historic colours in water
base plus 9 new Vintage Colours in water
base
- Soft satin sheen reproduces historic
finishes
- Ease of application; quick dry
- 100% Acrylic Binder
- Soap & water cleanup
- Resists cracking, fading & peeling
- Watch for new colour introductions
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Uses:
All interior & exterior surfaces including
masonry.
*Colour
Card & More Info - click here*
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Colonial Williamsburg Buttermilk® (#1500)
Old Village® Buttermilk (#1300)
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- 16 Williamsburg® paint colours found on
furniture discovered in the Abby Aldrich
Rockefeller Folk Art Collection owned by The
Colonial Williamsburg® Foundation
- 6 original Old Village® Buttermilk
historic paint colours
- Soft flat finish reproducing the finish of
the original buttermilk paints
- Water-base, requiring only soap &
water cleanup
- In areas of high wear, such as tabletops,
a protective top coat of Clear Paste Glaze
(#1400) is recommended
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Uses:
Interior & Exterior surfaces such as
furniture, walls and architecture. Also perfect
for decorative painting such as folk art,
stenciling, distressing, antiquing, graffito or
scribing, dry brush graining, and other faux
finishing techniques.
*Colour
Card & More Info - click here*
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Old Village® Graining & Glazing Liquids
(#GL)
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- Jelly consistency good for holding designs
- Available in dark red, dark blue, brown,
black, white and Clear Paste Glaze #1400
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Uses:
Interior applications over any Old Village©
Paint for decorative effects such as wood
graining, combing, sponging, rag-rolling,
stippling, feathering, antiquing, etc.
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Old Village® Paste Stain & Clear Glaze
(#1400)
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- Available in 5 natural wood colours, white
and clear
- Recommended for interior and exterior use
- White and clear may be tinted with Old
Village® Oil Colours as well as artists
oils
- Jelly consistency
- Polyurethane reinforcement provides
protection without the yellowing
- Oil-base with mineral spirits cleanup
- Superior ease of application, simply rub
on with #000 or #0000 steel wool in the
direction of grain and wipe off
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Uses:
Kitchen cabinets, paneling, furniture, wood
decorative pieces, floors, etc. Darker colours
can be sponged over to give a leather effect, or
dry brushed for graining effects. Clear glaze
can be used over any Old Village® Paint as a
protective top coat. Clear and white paste can
be tinted to create different colour glazes. One
coat of paste stain provides a low-luster,
hand-rubbed patina. subsequent coats provide
greater depth of colour, greater surface
protection and higher gloss. Paste stain can
also be buffed or polished. White provides a
beautiful bleached-wood or pickled effect.
*Colour
Card & More Info - click here*
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Old Village® Whitewash (#1600)
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- Duplicates the rough-textured finish of
whitewash
- 100% acrylic water-base
- Soap and water cleanup
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Uses:
Excellent for interior and exterior use. Walls,
ceilings, fences and more.
*Colour
Card & More Info - click here*
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Old Village® All Cracked Up Crackle Vehicle
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- For acrylic painting, aging and crackling
- New pale and transparent formula
- Water based and non-toxic
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Uses:
Crackle Decorating for Antique finishes is the
newly rediscovered, and today's fastest growing,
folk art technique. Crackling is accomplished in
three basic steps.
1. Apply a coat of flat latex paint
2. Apply All Cracked up crackle medium
3. Apply a coat of latex paint.
The top coat will "crackle," revealing
the first coat, producing the effect of
successive layers of aged paint. Express your
expertise on furniture, woodwork, almost any
article that strikes your fancy.
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